Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

climate diagram

Ferrara chapel by EMBT, photo by Roland Halbe

Two Sides of the Border at the Yale School of Architecture

Drawing from the Zaha Hadid/Patrik Schumacher studio

Eisenman singalong 028

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Cover of Perspecta 28

Shop orientation

Jiaming gu 1

Drawing by Dov Feinmesser

Adam Hopfner

Physical model by Wilson Carroll.

Installation views of *Materialized Space: The Architecture of Paul Rudolph*, on view September 30, 2024–March 16, 2025, at the Metropolitan Museum of Art. Photos by Eileen Travell, courtesy of the Metropolitan Museum of Art

HUTONGism poster

Drawing by Jeremy Leonard, Gordon Schissler, and Madison Sembler.

Images

Cover of Common Wealth

Groupwork, 168 Upper Street, London, United Kingdom, 2017. Photograph by Timothy Soar

Carrillo 10

Book by Istvan van Vianen.

Studio Lynn trip to Italy

Perspecta 56

Mapping relationship between Stamford and Darien.

James Gamble Rogers Yale Campus construction

Robert Gatje’s photograph of the Armstrong Rubber Building with the freestanding sign in the foreground.

Physical model.

Poster 2

Model of restorative justice center

Wright shelby 7

Zenghelis studio in Athens

Alberto Palacio, Columbus Monument, 1890, Scientific American, Vol. 63 No. 17 (October 1890)

Section, State Mortgage Bank, 1971–1978 Diazotype; facsimile, 34 x 58 cm Author unknown © Geoffrey Bawa and Lunuganga Trusts

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