Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

General view of YES! Year-End Show South Gallery

Plan drawing by Claire Haugh.

Drawing by Andrew Padron and James Schwartz

chair

Maps of Thames River Valley showing park construction sequence.

Beyond Urban Agriculture

Speculative rendering.

Drawing by Chris Hyun

cones

View of theater

Drawing by Heather Bizon

Torpedo factory

Poster horizontal

David Turturo

Studio Prix trip to Lyon and Vienna

Social Construction exhibition

Hu liang 8

B 3

Andrew Spiller section perspective

Plan diagram by Ryan Hughes.

Demo of the MANY app on a smartphone

Gehry lee 4

Shop orientation

Bitmap

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

in sync exhibition

7 plotter room

Drawing by Claire Haugh

Lulzbot Taz 3D Printer

Salk Center

2017 Building Project. Image by Zelig Fok and Haylie Chan.

Plan for New York City. vol. 4: “Manhattan.” pp.78-79.

IBM Pavilion, 1964-65 New York World’s Fair [Source: KRJDA Papers, Yale Manuscripts and Archives]

Kyiv Winter Beach master plan

Drawing by John Wan