Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Drawing by Dov Feinmesser

Drawing by 2016 BP team A

model

Study model by Dylan Weiser.

Context plan by Jennifer Fontenot.

opera house

axonometric

Erleen Hatfield

section drawing

Drawing by 2016 BP team E

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

gropius house dining room

Fix model

Miroslava Brooks

Elaine cui5

Drawing by Caitlin Baiada.

Olaus Magnus, Carta marina et Descriptio septemtrionalium terrarum ac mirabilium rerum in eis contentarum, diligentissime elaborata Annon Domini 1539 Veneciis liberalitate Reverendissimi Domini Ieronimi Quirini,1539, James Ford Bell Library,University of Minnesota.

Chitubox hollow

Drawing by Anna Nasonova

Drawing by Carroll and Muydinov

Core 4 Project

Model by 2016 BP team A

Core I Studio Project

3 bldg final plan level 1 12.2.23

Book cover: Architecture after God: Babel Resurgent

Exterior view

Drawing by 2016 BP Team B

Mock-up by Liyang Wang.

collage

Robert A. M. Stern presenting his thesis, “A Design for a New Home for the Whitney Museum of American Art” (Photograph: Jeremy Scott Wood, 1965)