Images - Yale Architecture

Student Work Building Project
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YSOA Publications

Rudolph Hall / A&A
Student Travel
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Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Overview of multiple sites

Commissarisrebecca7

Vignette by Xiao Tan and Liyang Wang.

Overhead image of a detention center in India.

Communal staircase for 2019 Jim Vlock First Year Building Project

Lateness book cover

16x9

Ornament and class v02

2025 01 30 17 07 36 1 1116 advanced design studio ubuntu ujamaa gpu geophysics of a planetary

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Plan drawing of Gothenburg

Tony Smith, Stamos House (1951)

Groupwork, 168 Upper Street, London, United Kingdom, 2017. Photograph by Timothy Soar

“Silver shop Main St. SM,” Santa Monica Denise Scott Brown, 1968

Historic Charleston

Drawing by 2016 BP team H

Diagram of Washington D.C. showing concentric rings around the city corresponding to different eras of national security. Image: Deborah Natsios

Group e page 11

Model by Melissa Weigel.

Black and white image of a house under construction.

Drawing by Michael Harrison

M 178 kalter

Keller Eastering

Wendy Chun

material case study

Eeva-Liisa Pelkonen and Surry Schlabs

Courtyard rendering

Alexandra Lange

rendering

Leon Krier advanced studio travel to Athens

Drawing by Matthew Kabala

Drawing by 2016 BP team C

Installation view of Intelligens. Natural. Artificial. Collective. by Andrea Avezzù, courtesy La Biennale di Venezia

The “nave” of the Arsenale. Photograph by Andrea Avezzù, courtesy La Biennale di Venezia

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