Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Cross section taken through the clock tower, plaza, and Holy Mosque revealing the Kaaba. The stepped building on the right represents the new extension of the mosque. Sketch reveals scale difference, with Kaaba almost completely dwarfed in relation to the tower. Original section and images obtained from AA Jeddah program in 2014. Rendered section by author.

Capsula Mundi

*Site plan, Polontalawa Estate Bungalow*. c. 1967 Ink on vellum, 66.6 x 46.9 cm Author unknown © Geoffrey Bawa and Lunuganga Trusts

axonometric

Image of the review underway

model and textile

Section, Ena de Silva House. 1963. Ink on tracing paper, 98.9 x 76.1 cm. Drawn by Laki Senanayake. © Geoffrey Bawa and Lunuganga Trusts

plan sketch

Tatiana Bilbao advanced studio trip to Mexico City

2017 Building Project. Image by Zelig Fok and Haylie Chan.

Water, Women, & Wellness

Drawing by Jack Lipson

Carl Abbott

Model view by Iven Peh.

Bp23 tong hsu brandon lim (9)

Model by Danielle Schwartz.

Home for the Blind rendering

section axonometric

Analytical drawing of Morse & Stiles

Drawing by Jared Abraham

model

Adepegba ife 5

Overview of aqueduct system.

collage

Perspective of park.

Image of Chicago alumni event.

Aerial view by Margaret Marsh.

Two Sides of the Border at the Yale School of Architecture

water tower collage

Envision Resilience Nantucket

Casas

rendering

A radical architecture magazine published at the Yale School of Architecture made for students to propose cutting edge ideas in the field. ‘Novum Organum’, Students at the Yale School of Art and Architecure. (1968-1969)

570a1129

Model view by Claire Haugh.

"never look empty, never feel full." Source: Terrence Riley, ed. The changing of the avant-garde : visionary architectural drawings from the Howard Gilman collection, (New York: Museum of Modern Art, 2002), 173.