Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Palazzina Renovation Typologies

rendering

Eugene Kohn and Kevin Roche

drawing

intergenerationality Calvin Liang

Tony Smith, Marriage (1961)

Lau katie 07

Aerial view of Sabah al-Ahmed Sea City. Source: Google

MJ Long and Cesar Pelli

Independence / Dependence

Lauren Carmona

Underslung Cages. From Kolar Gold Fields Bulletin No. 6, October- December 1921.

model

WC.Two older maples.JPG

drawing

Installation view of *The Tuskegee Chapel: Paul Rudolph X Fry & Welch*, on view January 9–July 5, 2025 at the Yale Architecture Gallery.

Drawing by Shuangjing Hu

Elaine cui2

Song christine page 09

Model onsite

collage

Rossi: A Reassessment event poster

Mulder rachel final exhibition11

Team b final presentation page 06

Pappalardo 6

Review

Dan Graham, Alteration to a Suburban House (1978)

Shih-Fu Peng

Drawing by Ian Donaldson.

Otl Aicher, Official Munich Olympic color palette demonstrated on the Games’ mascot, Waldi the Dachshund, 1968.

Lloyd Rodwin (left) and Martin Meyerson (right) examine a model of Ciudad Guyana, one of the projects undertaken by the Joint Center. Source: Department of Urban Studies and Planning, Massachusetts Institute of Technology. Taken from Eugene L. Birch, “Making Urban Research Intellectually Respectable: Martin Meyerson and the Joint Center for Urban Studies of Massachusetts Institute of Technology and Harvard University, 1959–1964,” Journal of Planning History (2011), 219-232, 219.

Cover of Constructs Fall 2010

Cover of Fall 2017 Constructs

Postcard view of Palace Amusements, looking west, with the Carousel House in the foreground and the Roundabout and Observatory behind it; Wesley Lake is at left. Source: Lisa Lamb, Side o’ Lamb: Urban Exploration at the Jersey Shore Home Page, http://www.side-o-lamb.com/PC_Palace_from_Asbury_Ave.jpg (accessed April 1, 2005).

rendering

Chris Sharples