Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Gothenburg Regional Map

Model view by Pierre Thach.

Dem 9675

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Model by Andrew Padron and James Schwartz

04 another day in vienna

MAMMA event poster

Book by Alexandra Thompson.

Screen by Erwin Hauer

Fig. 2.12: Gray’s School of Botany. Fig. 2.13, Gray’s School of Botany. Fig. 2.14, System, Plate 5, Sullivan. Fig. 2.15: System, Plate 3 Detail, Sullivan. Fig., 3.1: Hagia Sophia, Istanbul (532‐537 C.E.), Building Section.

Cyborg collage

Robert A. M. Stern presenting his thesis, “A Design for a New Home for the Whitney Museum of American Art” (Photograph: Jeremy Scott Wood, 1965)

Social Construction exhibition

Section drawing by Lucas Boyd.

Drawing by Jonathan Molloy

drawing by Brian Orser

Robert A.M. Stern, Sara Caples and Everardo Jefferson

Debrettevillekim6

Image of the lecture by Assemble Studio on November 2, 2017.

Black and white image of small one floor houses off in the distance of a prairie field.

Once Upon A Time in Gollywood

Group e page 12

Area B

Geers Advanced Studio in Italy

Detail 2

Sam Golini GowanusMakes!

Anika Singh Lemar speaking to Equality in Design.

section

Plan drawing by Daniel Marty.

Krebs tyler 1

Pappalardo 6

Section part I

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

The West India Docks in 1800 (before they were completed) as envisioned by printmaker William Daniell.