Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Image of the "Social Construction" gallery talk.

Team d page 01

Paul Rudolph Hall and Loria at Yale

Cover of Constructs spring 2022 issue

collage

Sparkle Miami

School of architecture 2025 2026 1

Model view

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Drawing by Jared Abraham

Section drawing by Nasim Rowshanabadi.

The Exhibit

Gowanus Plays Itself Long Section Gustav Nielsen

annual financial aid budget graph

2. stakeholder relationship

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Drawing by Anne Ma

Earthmoving trucks rearrange tons of the desert substrate, preparing the ground for the new cities. The Royal Commission for Jubail and Yanbu, Madinat Al-Jubail Al-Sinaiyah: Mokhtat Al- Mantikah Al-Sakaniyah (Riyadh: the Royal Commission, 1978).

Cover of Constructs Spring 2011

2020 building project interior

Drawing by Gina Cannistra

Xu stella 8

Yale Humanities Quadrangle at twilight

Nathan Burnell

Lindsay Duddy Engaging the Edge

Brooklyn Academy of Music, Strong Theater

Phyllis Birkby

Ratajczak nicole 5

Drawing by Gina Cannistra

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