Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Bp23 tong hsu brandon lim (5)

Stalin's Architect book cover

Aerial view by Matthew Bohne.

Christopher Hawthorne, Johnston Marklee, and Florencia Rodriguez, The Speakers' Corner. Photograph by Andrea Avezzù, courtesy La Biennale di Venezia

Read Home Meghna Mudaliar

Oskar Hansen: Open Form exhibition at YSOA (2016)

Social Construction exhibition

model

Gehry lee 2

Drawing by Caitlin Baiada.

masterplan

Temporary Opera House

Drawing by Ching, Pineda Jongeward, and Thompson

plan and elevation

Cover of Fall 2017 Constructs

rome watercolors

model

Model

Wildest show website

Gothenburg Regional Map

François Dallegret in a bathtub

Exterior view

Oskar Hansen: Open Form exhibition at YSOA (2016)

plan

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

A Backstage Village for Palazzolo Acreide

Cover of Social Infrastructure: New York

Bp23 tong hsu brandon lim (10)

Site plan.

Detail model of the Illwerke Zentrum Montafon.

The Ruin of the Modern

Sandra Barclay

Drawing by Andreas de Camps