Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

perspectives

Canonpickprinter

The book opened up to a spread with two images in color on the left hand side and a long block of text on the right.

Second-floor gallery at the dedication of the Art & Architecture Building on November 9, 1963 (Photograph: Robert Propper). In the foreground: Robert A. M. Stern (M.Arch 1965) and Aimée Brown (M.A. 1963, Ph.D. 1972)

Photograph, St. Thomas Preparatory School. 1952–1958. Photographic print, 29.2 x 14 cm. Photographed by Geoffrey Bawa. © Geoffrey Bawa and Lunuganga Trusts

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

The Architect is IN/Yale Day of Service 2016

New Zealand beach

Boat Repair

Shuchen dong residenceasapolysemousboundary1

Jiachendeng yes 202110

Poster for process architectures event

Plan of lower Lowell

Section drawing.

drawing

Drawing by 2016 BP team H

Deborah Berke

Hashim Sarkis

Tom McDonough Henry Sussman Yale Architecture Forum

3223a_Dimitris Hartonas_Side.JPG

model

WC.Two older maples.JPG

roof structure framing model

The Innovative Urban Workplace book cover

Model by Mengshi Sun

Project by Tess McNamara

Mapping relationship between Stamford and Darien.

Melissa DelVecchio

clay models

Drawing by Liwei Wang and Mariana Riobom

Team d page 13

Harvesting brownfield mulberries during a site visit to Rochester, New York, with Midcourse Design & Development

The Port of London engraved by Edward Stanford ca. 1904. The black squares represent the dockside warehouses.