Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Drawing by 2016 BP team F

Jonathan Jones

Work by LCLA Office

Dem 9664

Mapping relationship between Stamford and Darien.

Sterling Memorial Library under construction

Alan Plattus

Lopez araceli image 8

Event poster for Duane Blue Spruce event

Yuqing serena 0000 06

Collapsed Landscapes by Erin Bascom

02 section model conjunto with tod williams, billie tsien, and andrew benner

Dean Berke speaks at lottery

Group a page 19

collage

Ysoa spring2024 240103

Rfabbri photo

Dem 9686

Yuqing serena 0000 07

Model by Valeria Flores.

neighborhood sketch

ELM under construction

Bp23 tong hsu brandon lim (14)

Typology diagram

Perspective by David Langdon.

Fitzpatrick

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Renaud Haerlingen

Unrolled section

Water, Women, & Wellness

05 - Post-Colisum Box.JPG

PILLS, JIN ARTS, typo_d, Archi-Neering-Design/AND Office, Róng Design Library, Valeria Tatano, Massimiliano Condotta, Xiaoqing Cui, and Zhengwei Tang, Circularity Handbook. Photograph by Marco Zorzanello, courtesy La Biennale di Venezia

Davis 6

Drawing by Isaac Southard