Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

rendering

Trӓdfabrik (Tree Factory)

Grid of props.

section drawing

Model by 2016 BP team A

Model by Matthew Bohne

Robert Gatje’s photograph of the Armstrong Rubber Building with the freestanding sign in the foreground.

diagram

house in the woods

6 denise las vegas nolli

Du xuefeng 2

Drawing by Anthony Gagliardi

Independence / Dependence

Drawing by James Polshek

John Blood Elizabeth Danze and students

Model by Kerry Garikes.

SP Q Material.PNG

paprika collage

rendering

Black and white image of the interior of a kitchen. A woman wearing an apron is standing on the right side.

5 (1)

Section model by Timon Covelli.

Detail schematic drawing by Matthew Bohne.

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Pure Inhale

Business improvement district versus ecological improvement district.

The Architect is IN/Yale Day of Service 2016

Gehry studio trip in Spring 2016

1106a pawsox highway

Anibal Bellomio

Image of the lecture given by Emre Arolat and Gonca Pasolar.

Interior perspective by Margaret Marsh.