Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Plan diagram drawings by Robert Hon and Wesley Hiatt.

Z House by Light and Air Architecture

Group f .pptx (1) page 03

Perspective by Daniel Marty.

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Exploded axonometric wall section.

Tatiana Bilbao advanced studio trip to Mexico City

Boy-Built Houses (1927). Whereas girls were trained to participate in the informal sphere of unwaged domestic production, boys were trained to approach the home as a “house”. The house would need to be built, maintained, appraised and purchased, and these were the ways that the boy trained to relate.

Core I Studio Project

perspective

drawing of Yale A&A Building by Paul Rudolph

SYNC main image

Poster for the symposium Material Light::Light Material.

Deborah Berke

Jiachendeng yes 202110

The Rotival Plan of 1942.

Exterior view

Students in Brazil on skybridges from above

Drawing by 2016 BP Team B

Exterior view

chair

Lateness book cover

Thermal diagram

Yushan Jiang

Map published by Orinoco Mining Company depicting their concessions in the Guayana region: Cerro Bolívar, Ciudad Piar, Puerto Caroni and the dredging of the river. Source: Orinoco Mining Company: a resume (Puerto Ordaz: Orinoco Mining Company, 1956).

2_Instagram_Yue Zeng.JPG

Panel discussion at the Learning, Doing, Thinking Symposium

drawing by Kim Jessica

Retrospecta 28

The “nave” of the Arsenale. Photograph by Andrea Avezzù, courtesy La Biennale di Venezia

axonometric diagram