Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Mabel Wilson

Walter Hood

2020 building project interior

Installation by David Langdon and Zachary Hoffmann.

Drawing by Robert Smith Waters

View of exhibition "NOW: Year End Show of Student Work"

learning from sweden exhibition material

Cover of Constructs Spring 2001

Jafari niema 3

Fair Haven YMCA and Library

Tree in Charleston

Kiik by François Dallegret

Jiachendeng yes 20216

Deborah Berke speaking at a Yale Architecture alumni event.

axonometric

SYNC main image

retrospecta 48 cover

Drawing by Alexis Hyman

sea villa rendering sequence

Baltimore maryland usa skyline over the inner ha 2024 03 08 17 19 38 utc

Cover of Perspecta 38

Huertagabriel 3

Karen Seto

Drawing by Gina Cannistra

Eugene Kohn

Post 4

Michael Samuelian

Section drawing

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

model

Groupwork, 15 Clerkenwell Close, London, United Kingdom, 2017. Photograph by Timothy Soar

publication sample spread

6 ultimaker farm

Black and white image of a room with drafts tables and men working at them.

Poster for the Aesthetic activism symposium