![Opening reception for “In the Presence of Kings” (1967) [Source: New York Times, April 19, 1967]](https://d33dlv5jzgs7pp.cloudfront.net/api/file/IijDJxg2TeyYy2u9WL93/convert?fit=clip&format=jpg&h=&quality=75&w=408&compress=true&fit=clip)
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Brian Orser: In an abandoned power plant, a matrix of suspended walls are cut by a series of voids, generating variegated light and space. Activated by movement, the voids recalibrate the viewer’s relation to consumption.
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