Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

The Architect is In

Simon Hartmann

Pierre Bélanger lecture

Pages from group c final 3 page 07

Painting of Tlatelolco

Installation view of *The Tuskegee Chapel: Paul Rudolph X Fry & Welch*, on view January 9–July 5, 2025 at the Yale Architecture Gallery.

Exterior perspective by Spencer Fried.

230105 coolidge core3persp2

Drawing by Jack Lipson

Kroin mari 5

jack rusk

Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Coast in New Zealand

Du xuefeng 4

Once Upon A Time in Gollywood

Angelalufkin 6

Ringon Axon

Church Street South

Ornament and class v02

Team b final presentation page 10

Drawing by Ali Naghdali

Sweatintucson

Amy Kulper Yale Architecture Forum

Almost Studio and Nanette Carter, Excess Entitlements, featured in Time Space Existence. Photograph by Celestia Studio

2020 building project interior

Robert A.M. Stern

02 building plan

Gehry lee 5

Formica Axon by Stanley Tigerman

Alan Plattus

Installation view of Intelligens. Natural. Artificial. Collective. by Andrea Avezzù, courtesy La Biennale di Venezia

7 (1)