Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Rendered view of towers looking up

Drawing by Ching, Pineda Jongeward, and Thompson

collage Jonathan Meyer

07 another day in vienna

Core 4 Project

Ornament and Ecology event poster

Pages from group c final 3 page 09

Comparative plan and section drawing of the stepwell typology

Stills from What is the City But the People? New York City Planning Commission, 1969.

Angelalufkin 8

Drawing by 2016 BP team A

B ds plotters

Yuqing serena 0002 04

Alle reden vom Wetter. Wir nicht.

Fig. 2.12: Gray’s School of Botany. Fig. 2.13, Gray’s School of Botany. Fig. 2.14, System, Plate 5, Sullivan. Fig. 2.15: System, Plate 3 Detail, Sullivan. Fig., 3.1: Hagia Sophia, Istanbul (532‐537 C.E.), Building Section.

Installation by Zelig Fok and Liwei Wang.

Section diagrams by Andrew Busmire.

Yale President Kingman Brewster

Photo looking toward Helen Hadley tower

Image of the Elia Zenghelis lecture on October 16, 2017.

Model by Chris Hyun

02 fish

Sky Droplet/ team with Yuhan Zhang

Tech man walking 123rf 84779072 l

Group e page 12

Mulder rachel final exhibition5

Drawing by Jeremy Leonard, Gordon Schissler, and Madison Sembler.

Four Root Farm, East Haddam, Connecticut

Drawing by Jonathan Molloy

2017 Building Project. Image by Zelig Fok and Haylie Chan.

I, Like Many Things cover

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

exhibition by François Dallegret