Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Industrial scars texture mapping 01 edited

Pierre Bélanger lecture

Native Astronomy event poster

Model by Ava Amirahmadi.

Model of a formal garden by Jamie Edindjiklian.

SP Q Material.PNG

Romeo and Juliet by Stanley Tigerman

Lina Bo Bardi—A Marvellous Entanglement at Yale School of Architecture

Reveil exhibition poster detail line drawing

plan and section

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

model

perspective

Panel mock-up.

Imgp8985

Pages from group c final 3 page 02

Audrey Tseng Fischer

Paul Rudolph Hall and Loria at Yale

Oskar Hansen in 1968 Photo Erazm Ciolek

A view of a landscape: A cotton gin motor by Kevin Beasley

Next Generation Tourism Masterplan

Jiaming gu 1

John Durham Peters

Model by 2016 BP team A

03 site model learning from puira sandra barclay, jean pierre crousse, and andrew benner

Section, Ena de Silva House. 1963. Ink on tracing paper, 98.9 x 76.1 cm. Drawn by Laki Senanayake. © Geoffrey Bawa and Lunuganga Trusts

Perspective views of lower Lowell

Rk liu yearendexhibition7

Hengyuan yang 3

Alex Garvin

Song christine page 05

aerial pool

6 instagram yue zeng

Screen by Erwin Hauer

"never look empty, never feel full." Source: Terrence Riley, ed. The changing of the avant-garde : visionary architectural drawings from the Howard Gilman collection, (New York: Museum of Modern Art, 2002), 173.