Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Moriyama House

View of canal bridge

C-Glass House, Marin CA, 2014

Home sweet home

Eric Kober

Core 4 Project

Kroin mari 6

Elia Zenghelis

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Image of the symposium Environment, Reconsidered

The photo of the neighborhood shop.

Cover of Constructs Spring 2013

Perspective view by Istvan van Vianen and Minquan Wang.

Superstudio, Sofo 1968, From Cristiano Toraldo di Francia’s Collection

Splitobjects

Project by James Schwartz.

View of courtyard

Paul Rudolph Hall and Loria at Yale

Julie Eizenberg

Perspective by Dylan Weiser.

section rendering

2017 Building Project. Image by Zelig Fok and Haylie Chan.

Drawing by Garrett Hardee

8 double section vignette with snow portfolio

publication

Palazzina Renovation Typologies

Fig. 2.12: Gray’s School of Botany. Fig. 2.13, Gray’s School of Botany. Fig. 2.14, System, Plate 5, Sullivan. Fig. 2.15: System, Plate 3 Detail, Sullivan. Fig., 3.1: Hagia Sophia, Istanbul (532‐537 C.E.), Building Section.

Drawing by Matthew Kabala

Rendering by Erin Kim.

Jackilin Hah Bloom

Image of the lecture by Assemble Studio on November 2, 2017.

Paul Lester Wiener and Jose Luis Sert in front of the general plan of Cidade dos Motores, Source: Paul Lester Wiener Special Collection, University of Oregon, AA.VV. Sert: arquitecto en Nueva York (Barcelona: Museu d’Art Contemporani de Barcelona, 1997), 168.

perspective