Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

collage

Black and white image of a house under construction.

Paolo Campos

Imgp8012

Aurelia Institute, Heatherwick Studio, and Brent Sherwood, Space Garden. Photograph by Marco Zorzanello, courtesy La Biennale di Venezia

Curated Decay: Inevitable Loss and Other Opportunities event poster

Bp23 tong hsu brandon lim (19)

Drawing by 2016 BP team G

Krebs tyler 9

Alex Garvin

2 hongyu wang conceal & reveal

Four abandoned storefronts. 1) a dingy, derelict, dark room. A crumbling sign for a sustainable furniture shop. Shelves on the walls, and a hole punched through with the words “CRAWL”. 2) an old cafe. Rotted ceiling panels cover the counter and floor. A bright green and purple “THANK YOU” sign. 3) the remnants of a nail salon. Full nail-polish display intact, dusty. Mani-pedi chairs like beached whales, nasty. Someone has spray-painted in terrible colors. 4) A narrow white room. White tiles, pale green strip. A fallen angel.

Axis Mundi

perspective

Drawing by Ziyue Liu

1106a pawsox aerial

Film still from Lina Bo Bardi—A Marvellous Entanglement

Model view by Iven Peh.

Miss World 1994 Aishwarya Rai against the Seven Wonders of the World in a single song from the Hindi-dubbed Tamil Film Jeans (1997).

Irwin Union Bank teller offering service to mobile customer. (Saarinen, Eero, Collection Manuscripts & Archives, Yale University).

2015 building project living area

Advanced Studio Faculty

Rk liu yearendexhibition5

Kate Orff

Church Street South by Charles Moore

Anika Singh Lemar speaking to Equality in Design.

Drawing by 2016 BP team H

Sketchbook Pages

5 plotter room

Students creating window openings at the 2019 Building Project site

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

Kevin Roche

images

Common reed exhibition poster

Section cut by Dylan Weiser.