Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

Plan, Fiera of Bergamo c. 18th century. Source: Papini, Bergamo Rinnovata, 19.

Pier Vittorio Aureli

Cover of A Sustainable Bodega and Hotel in Rioja

plan and section

hieroglyphic plan

Fig. 2.12: Gray’s School of Botany. Fig. 2.13, Gray’s School of Botany. Fig. 2.14, System, Plate 5, Sullivan. Fig. 2.15: System, Plate 3 Detail, Sullivan. Fig., 3.1: Hagia Sophia, Istanbul (532‐537 C.E.), Building Section.

axonometric ad

Viz 1 2

Resources 07 s

Drawing by Abena Bonna

Drawing by 2016 BP team F

Constructing the Ineffable

Image of the Elia Zenghelis lecture on October 16, 2017.

chair

Watercolor of old wall

Rk liu yearendexhibition4

Leon Krier advanced studio travel to Athens

Lina Bo Bardi—A Marvellous Entanglement at Yale School of Architecture

Wetlands in St. Helena Island

Constructs Spring 2025 cover

2020 building project exterior

Christina Zhang TO BE HEARD TO BE SEEN

Perspective by David Langdon.

Page excerpt from thesis.

Cover of Perspecta 42

1930s postcard view of the Asbury Park boardwalk and Casino.Source: Tichnor Brothers, “Boardwalk and Casino. Asbury Park. N. J.” in “Postcards from the Thirties and Forties” Dean’s Site Home Page, http://home.att.net/ ~giacopassic/post_cards.htm, 13 December 2001 (accessed May 19, 2005).

models

Building Project construction

02 section model conjunto with tod williams, billie tsien, and andrew benner

Cross section taken through the clock tower, plaza, and Holy Mosque revealing the Kaaba. The stepped building on the right represents the new extension of the mosque. Sketch reveals scale difference, with Kaaba almost completely dwarfed in relation to the tower. Original section and images obtained from AA Jeddah program in 2014. Rendered section by author.

Historic Charleston

models

Core I Studio Project

Exhibition Plaque and Portrait of William Sturtevant