Images - Yale Architecture

Student Work Building Project
Exhibitions
YSOA Publications

Rudolph Hall / A&A
Student Travel
Perspecta

Posters
Section
Axonometric drawing
Year End (of the World)

Urbanism
One point perspective

axonometric drawings

Panel by Shreya Shah

Diagram by Daniel Glick-Unterman and Pierre Thach.

YSoA Spring 2025 Poster

Review

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Map_4. “Fake Property Zones” of some US cities. All created by F. Neyran Turan by data compiled from Richard Wiles and James R. Cox, “Nuclear Waste Accident Scenarios in the United States,” Environmental Working Group, (June 2002), http://www.mapscience.org/plumes/national.pdf, Arjun Makhijani, Howard Hu and Katherine Yih ed., Nuclear Wastelands: A Global Guide to Nuclear Weapons Production and Its Health and Environmental Effects, (Cambridge, Massachusetts: MIT Press, 1995). Final Environmental Impact Statement for a Geologic Repository for the Disposal of Spent Nuclear Fuel and High-Level Radioactive Waste at Yucca Mountain, Nye County, Nevada. U.S. Department of Energy, Office of Civilian Radioactive Waste Management. February 2002, http://www.ymp.gov/documents/feis_a/web_pdf/rgd_summ/rgsum_bm.pdf, and “Nuclear Neighborhoods”, http://nuclearneighborhoods.org.

Pajovic luka 01

Installation view of A Retrospective on Ten Years of Practice in Eastern Contexts

Anika Singh Lemar speaking to Equality in Design.

1 bldg final perspective front 12 (1)

Image of Albena Yaneva's lecture in Hastings Hall.

masterplan

perspective

Parti diagrams

YSoA Tribal Land Acknowledgement by Anjelica Gallegos

Nina Rappaport and Deborah Berke

Drawing by Punde, Sorabjee, and Yang

model

Draftautorot

opera house

Watercolor of old wall

Diagram of the Yale Center for British Art.

Rk liu yearendexhibition8

Drawing by Isaac Southard

Anya Bokov

Landscape sections through park.

Bp23 tong hsu brandon lim (21)

Pages from group c final 3 page 05

Social Construction exhibition

Yale Peabody Museum Atrium With View of Exhibition on Left

Model series

Wetlands in St. Helena Island

Drawing by Berkowitz and Sembler

Drawing by John Holden